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PRINT: French’s Mustard (front) / Sure-Jell (back) - C. 1950

$19.99
 
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I. Description of Print Contents
The photos of the Print were compressed to speed up downloading time and may appear fuzzy or blurred.
The gray and black checkerboard pattern was used as a background to illustrate the boundaries of the Print.
The ruler was included to provide a visual reference to the size (dimensions) of the Print.
The "Front of the Ad" and "Back of the Ad" informational text labels are not present on the Print.
II. Print Specifications
We determined the specifications of the print by visually inspecting its appearance and physically inspecting its compositon. We inspected the ad using our eyes and hands without the use of any devices or equipment other than a magnifying glass, backlit table and ruler. While we are not papermakers or professional paper analysts we did research the results of our inspection in an attempt to describe the print accurately.
1. Dimensions
2. Paper Type
3. Ink
1. Ink
III. Print Condition
A. DESCRIPTION OF CONDITION AND GRADE
  We attempt to fully inspect and identify all damage and imperfections on the print however, we are not professional appraisers and may have missed some flaws therefore, we ask that you thoroughly review the photos along with our description and evaluate the condition of the print yourself.
Condition:
Grade:
   
The Grade is a Summary of the Condition That Should Be Considered Along With the Description and Photos
The damage and imperfections referenced below were diagnosed while inspecting the print using a magnifying glass and backlit table. No other tools or devices were used. We incorporated the results of our inspection into the Grade displayed above. The Grade is not intended to be a substitute for the descriptions of the defects listed below or, the photos of the print that are displayed above. Instead, it should be considered along with the descriptions and photos as it simply provides a summary of the same.
B. IMPERFECTIONS RELATED TO PRINT PRODUCTION
1. Binding Glue Residue:
  2. Bleeding Ink (i):
  3. Ghosting (ii):
  4. Ink Blotches:
  5. Inkless Area(s):
  6. Misprint(s):
  7. Moiré Pattern(s) (iii):
  8. Smear(s)/Smudge(s):
 
9. Staple/Binding Hole(s):
  10. Stray Ink Mark(s):
C. IMPERFECTIONS RELATED TO PRINT AGE AND HANDLING
1. Burn(s):
  2. Curling/Curving/Warping:
  3. Disintegrating Area(s) (iv):
  4. Eraser Marks/Damage:
  5. Fold(s)/Crease(s):
  6. Foxing (v):
  7. Hole(s):
  8. Impression(s):
  9. Inkless Area(s) (wear):
  10. Insect/Rodent Damage:
  11. Light/Sun Fading:
  12. Liquid/Moisture Damage:
  13. Oil Residue:
  14. Rip(s)/Tear(s):
  15. Scent/Smell/Odor:
  16. Split(s)/Crack(s):
  17. Stain(s)/Brown Edge(s):
  18. Stuck-On Debris:
  19. Wrinkle(s)/Crumple:
 
20. Writing/Drawing:
D. FOOTNOTES ABOUT IMPERFECTIONS
(i)  Bleeding Ink
  Bleeding can occur after printing and prior to the ink drying when the ink spreads beyond its original print area to adjacent fibers in the paper causing the edge(s) of the print area to appear blurry. One color can bleed to blank paper and/or multiple colors can bleed into eachother. Bleeding ink can be the result of too much ink being applied to the paper and/or the type of paper being printed on.
(ii)  Ghosting
  Ghosting is a printing error during which a portion of the advertisement is reprinted in an unexpected location of the print area. The reprinted portion is faded in comparison to the original portion which coined the term: ghosting.
(iii)  Moiré Pattern(s)
  Printers print images in a pattern of dots. A moire pattern occurs when multiple patterns of dots are printed inaccurately and appear to be displaced or misaligned from eachother.
(iv)  Disintegrating Area(s)
  Areas of the paper, usually the edges, that have become brittle due to environmental factors causing the lignin (polymer that strengthens the paper) to deteriorate resulting in oxidation and/or interacting with acidic compounds in the paper. Portions of the paper are easily removed and in extreme cases fall apart even when the paper is handled delicately.
(v)  Foxing
  foxing is a form of paper deterioration that occurs when impurities (iron oxide, ferrous oxide, etc.) in the paper react to humidity creating brown spots (age-spots) in random places on the paper.
A. GRADE & DESCRIPTION OF CONDITION
  We attempt to fully inspect and identify all damage and imperfections on the print however, we are not professional appraisers and may have missed some flaws therefore, we ask that you thoroughly review the photos along with our description and evaluate the condition of the print yourself.
Condition:
Grade:
   
The Grade is a Summary of the Condition That Should Be Considered Along With the Description and Photos
The damage and imperfections referenced below were diagnosed while inspecting the print using a magnifying glass and backlit table. No other tools or devices were used. We incorporated the results of our inspection into the Grade displayed above. The Grade is not intended to be a substitute for the descriptions of the defects listed below or, the photos of the print that are displayed above. Instead, it should be considered along with the descriptions and photos as it simply provides a summary of the same.
B. IMPERFECTIONS RELATED TO PRINT PRODUCTION
1. Binding Glue Residue:
  2. Bleeding Ink (i):
  3. Ghosting (ii):
  4. Ink Blotches:
  5. Inkless Area(s):
  6. Misprint(s):
  7. Moiré Pattern(s) (iii):
  8. Smear(s)/Smudge(s):
 
9. Staple/Binding Hole(s):
  10. Stray Ink Mark(s):
C. IMPERFECTIONS RELATED TO PRINT AGE AND HANDLING
1. Burn(s):
  2. Curling/Curving/Warping:
  3. Disintegrating Area(s) (iv):
  4. Eraser Marks/Damage:
  5. Fold(s)/Crease(s):
  6. Foxing (v):
  7. Hole(s):
  8. Impression(s):
  9. Inkless Area(s) (wear):
  10. Insect/Rodent Damage:
  11. Light/Sun Fading:
  12. Liquid/Moisture Damage:
  13. Oil Residue:
  14. Rip(s)/Tear(s):
  15. Scent/Smell/Odor:
  16. Split(s)/Crack(s):
  17. Stain(s)/Brown Edge(s):
  18. Stuck-On Debris:
  19. Wrinkle(s)/Crumple:
 
20. Writing/Drawing:
D. FOOTNOTES ABOUT IMPERFECTIONS
(i)  Bleeding Ink
  Bleeding can occur after printing and prior to the ink drying when the ink spreads beyond its original print area to adjacent fibers in the paper causing the edge(s) of the print area to appear blurry. One color can bleed to blank paper and/or multiple colors can bleed into eachother. Bleeding ink can be the result of too much ink being applied to the paper and/or the type of paper being printed on.
(ii)  Ghosting
  Ghosting is a printing error during which a portion of the advertisement is reprinted in an unexpected location of the print area. The reprinted portion is faded in comparison to the original portion which coined the term: ghosting.
(iii)  Moiré Pattern(s)
  Printers print images in a pattern of dots. A moire pattern occurs when multiple patterns of dots are printed inaccurately and appear to be displaced or misaligned from eachother.
(iv)  Disintegrating Area(s)
  Areas of the paper, usually the edges, that have become brittle due to environmental factors causing the lignin (polymer that strengthens the paper) to deteriorate resulting in oxidation and/or interacting with acidic compounds in the paper. Portions of the paper are easily removed and in extreme cases fall apart even when the paper is handled delicately.
(v)  Foxing
  Foxing is a form of paper deterioration that occurs when impurities (iron oxide, ferrous oxide, etc.) in the paper react to humidity creating brown spots (age-spots) in random places on the paper.
 Since Grading is Subjective Be Sure to Review the Description and Photos
Grading is a subjective practice, meaning that the grade we assign a print may not be the same grade that someone else would assign the same print. Also, a defect that may be inconsequential or overlooked by one may be unacceptable or obvious to someone else. Therefore, in addition to considering the Grade displayed above, we strongly recommend that you carefully review the descriptions of the damage and imperfections listed below as well as the photos displayed above to assess the condition of the print yourself. While we attempt to describe our prints accurately, it's possible that you may see something in a photo that we did not mention in our description of the condition.
 About Our Grading Scale
Our gradng scale includes the following 5 levels: Poor, Fair, Good, Fine and Mint as defined below.
1. Poor
A print in "Poor" condition has extensive damage and is illegible where portions of the print are missing, obscured or otherwise damaged. The damage and imperfections are obvious and may be attributable to the printmaker, mishandling or environmental factors resulting from inadequate preservation methods. The print may contain natural degradation including foxing, brittleness and/or browning. There may be spine stress marks appearing as waviness in prints that had been bound in a larger work.
2. Fair
A print in "Fair" condition is damaged but legible. A few small, insiginficant portions may be missing. There may be creases, moisture damage, nicks, stains, staple holes, tears, and other defects. The print may contain natural degradation including foxing, brittleness and/or browning. There may be spine stress marks appearing as waviness or warping along the previously bound edge of prints that had been bound in a larger work. Printmaking flaws may be present. Nevertheless, the damaged or missing areas do not affect the legibility of the print. The print is completely legible despite its defects.
3. Good
A print in "Good" condition has some damage which may include small creases, minimal moisture damage, corner bluntness, nicks and other wear and tear along its edges but is otherwise complete and legible. Except for some minor damage, the content within the body of the print is flawless. There may be spine stress marks appearing as waviness or warping along the previously bound edge of prints that were bound in larger works. Printmaking flaws may be present. The print may contain natural degradation including foxing, brittleness and/or browning. However, natural degradation may add to the print's value as it helps authenticate the print's age and genuineness. Prints containing latent binding damage and materials including glue, nicks, staple holes, tape, tears etc. may be considered "Good" despite these defects because on many prints the previously bound edge including the damage can be trimmed away.
4. Fine
A print in "Fine" condition is complete and legible with minimal signs of wear and tear. Slight corner bluntness may be present and warping may keep the print from lying completely flat. There is no moisture damage but there may be minor spine stress marks appearing as waviness or warping along the previously bound edge of prints that had been bound in larger works. Printmaking flaws may be present. There may be natural degradation including foxing, brittleness and/or browning. Natural degradation may add to the print's value as it helps authenticate the print's age and genuineness. There may be minor latent binding damage and materials including glue, tape, tears, staple holes, etc. that can be trimmed away.
5. Mint
A print in "Mint" condition is flawless or nearly flawless. There may be minimal corner bluntness and natural warping that keeps the print from lying completely flat. There are no stains or moisture damage but there may be printing press or other printmaking imperfections. The print should not contain any other damage associated with wear and tear or mishandling. Older prints with foxing, brittleness or browning edges may be considered "Mint" despite these imperfections because they occurred naturally over time. Such degradation may add to the print's value since it serves to autheniticate the print's age and consequently, its genuineness. Latent binding damage and materials including glue, tape, stitching tears, staple holes, etc. are rare but can be trimmed away.
IV. Order Processing
1. Packaging

We pack our prints in clear, resealable, 2-mil thick, acid-free plastic sleeves supported by 24-point, acid-free backing boards. We then seal the sleeves with protective seals. If the sleeve is opened the seal breaks and can not be reused. A broken seal lets us know that we must reprocess the print. If the print's condition has changed we update its description and images on our website and affix a new seal. With our protective packaging our customers can expect that the prints they receive will be as described and shown in our website store.

2. Storing
After incorporating prints into our inventory we store them in a location that minimizes the impact of environmental factors that could degrade or otherwise damage them.
3. Shipping
We ship our smaller prints flattened in rigid paperboard mailers and larger prints rolled in cardboard tubes. We stamp our packages “Do Not Bend” to put the courier on notice that the parcel should be handled carefully.
4. International Orders - Customs Fees
Orders shipped to international destinations outside of the United States are subject to customs duties and fees. These fees are out of our control as we are required by law to include customs disclosure forms on packages shipped out of the United States.
V. Customer Service
1.
To check the status of your order:
a) navigate to 'My Account'
b) locate the relevant order
c) click it to open it and consult the Order Status.
2.
If you have questions about checking the status of an order please Contact Us (click here)
1.
Print cancellations and returns are accepted. When Prints are returned, our shipping costs will be deducted from the amount refunded unless the reason for the return is due to our error. The amount of the refund depends on the status of the order and the condition of the Print as indicated in the table below.

Order Status
Condition of Image Disc
Reason for
Cancellation
or Return
Amount of Refund
'Confirmed'
The order has been placed. Processing will begin soon.
Not Applicable
Any reason is acceptable.
A full refund will be credited back to the original payment method.
'On its way' or
"Out for delivery"
The Printt has been shipped.
New, Unopened
Any reason is acceptable.
Upon delivery the customer may return the unopened Print to us at their expense. Upon our receipt of the return, a refund less our shipping costs will be credited back to the original payment method.
'Delivered'
The product has been delivered.
New, Unopened
Any reason is acceptable.

The customer may return the unopened Print to us at their expense. Upon our receipt of the return, a refund lessour shipping costs will be credited back to the original payment method.

Opened
The Print is damaged.
The customer must file an insurance claim with the courier and if available, a replacement Print will be shipped to the customer.
Opened
We shipped the incorrect Print.

Upon confirmation of our error we will either ship the correct Print or issue a full refund to the customer's original payment method, whichever the customer prefers.

2.
To cancel a Print Order please enter the order number, order status and reason for cancellation in our Contact Form (click here). We will respond within 24-48 business hours.
3.
To return a Print please enter the order number, condition of the Print (i.e. unopened, opened, damaged, etc.) and the reason for the return in our Contact Form (click here). We will respond within 24-48 business hours.
Copyright Information
This section identifies whether copyrights are held in the artwork featured on this page and if so, what person, company or other entity owns the copyrights.
VI. Related Audio/Video
I. Description of Print Contents
The photos of the Print were compressed to speed up downloading time and may appear fuzzy or blurred.
The gray and black checkerboard pattern was used as a background to illustrate the boundaries of the Print.
The ruler was included to provide a visual reference to the size (dimensions) of the Print.
The "Front of the Ad" and "Back of the Ad" informational text labels are not present on the Print.
II. Print Specifications
We determined the specifications of the print by visually inspecting its appearance and physically inspecting its compositon. We inspected the ad using our eyes and hands without the use of any devices or equipment other than a magnifying glass, backlit table and ruler. While we are not papermakers or professional paper analysts we did research the results of our inspection in an attempt to describe the print accurately.
1. Dimensions
2. Paper Type
3. Ink
1. Ink
III. Print Condition
A. DESCRIPTION OF CONDITION AND GRADE
  We attempt to fully inspect and identify all damage and imperfections on the print however, we are not professional appraisers and may have missed some flaws therefore, we ask that you thoroughly review the photos along with our description and evaluate the condition of the print yourself.
Condition:
Grade:
   
The Grade is a Summary of the Condition That Should Be Considered Along With the Description and Photos
The damage and imperfections referenced below were diagnosed while inspecting the print using a magnifying glass and backlit table. No other tools or devices were used. We incorporated the results of our inspection into the Grade displayed above. The Grade is not intended to be a substitute for the descriptions of the defects listed below or, the photos of the print that are displayed above. Instead, it should be considered along with the descriptions and photos as it simply provides a summary of the same.
B. IMPERFECTIONS RELATED TO PRINT PRODUCTION
1. Binding Glue Residue:
  2. Bleeding Ink (i):
  3. Ghosting (ii):
  4. Ink Blotches:
  5. Inkless Area(s):
  6. Misprint(s):
  7. Moiré Pattern(s) (iii):
  8. Smear(s)/Smudge(s):
 
9. Staple/Binding Hole(s):
  10. Stray Ink Mark(s):
C. IMPERFECTIONS RELATED TO PRINT AGE AND HANDLING
1. Burn(s):
  2. Curling/Curving/Warping:
  3. Disintegrating Area(s) (iv):
  4. Eraser Marks/Damage:
  5. Fold(s)/Crease(s):
  6. Foxing (v):
  7. Hole(s):
  8. Impression(s):
  9. Inkless Area(s) (wear):
  10. Insect/Rodent Damage:
  11. Light/Sun Fading:
  12. Liquid/Moisture Damage:
  13. Oil Residue:
  14. Rip(s)/Tear(s):
  15. Scent/Smell/Odor:
  16. Split(s)/Crack(s):
  17. Stain(s)/Brown Edge(s):
  18. Stuck-On Debris:
  19. Wrinkle(s)/Crumple:
 
20. Writing/Drawing:
D. FOOTNOTES ABOUT IMPERFECTIONS
(i)  Bleeding Ink
  Bleeding can occur after printing and prior to the ink drying when the ink spreads beyond its original print area to adjacent fibers in the paper causing the edge(s) of the print area to appear blurry. One color can bleed to blank paper and/or multiple colors can bleed into eachother. Bleeding ink can be the result of too much ink being applied to the paper and/or the type of paper being printed on.
(ii)  Ghosting
  Ghosting is a printing error during which a portion of the advertisement is reprinted in an unexpected location of the print area. The reprinted portion is faded in comparison to the original portion which coined the term: ghosting.
(iii)  Moiré Pattern(s)
  Printers print images in a pattern of dots. A moire pattern occurs when multiple patterns of dots are printed inaccurately and appear to be displaced or misaligned from eachother.
(iv)  Disintegrating Area(s)
  Areas of the paper, usually the edges, that have become brittle due to environmental factors causing the lignin (polymer that strengthens the paper) to deteriorate resulting in oxidation and/or interacting with acidic compounds in the paper. Portions of the paper are easily removed and in extreme cases fall apart even when the paper is handled delicately.
(v)  Foxing
  foxing is a form of paper deterioration that occurs when impurities (iron oxide, ferrous oxide, etc.) in the paper react to humidity creating brown spots (age-spots) in random places on the paper.
A. GRADE & DESCRIPTION OF CONDITION
  We attempt to fully inspect and identify all damage and imperfections on the print however, we are not professional appraisers and may have missed some flaws therefore, we ask that you thoroughly review the photos along with our description and evaluate the condition of the print yourself.
Condition:
Grade:
   
The Grade is a Summary of the Condition That Should Be Considered Along With the Description and Photos
The damage and imperfections referenced below were diagnosed while inspecting the print using a magnifying glass and backlit table. No other tools or devices were used. We incorporated the results of our inspection into the Grade displayed above. The Grade is not intended to be a substitute for the descriptions of the defects listed below or, the photos of the print that are displayed above. Instead, it should be considered along with the descriptions and photos as it simply provides a summary of the same.
B. IMPERFECTIONS RELATED TO PRINT PRODUCTION
1. Binding Glue Residue:
  2. Bleeding Ink (i):
  3. Ghosting (ii):
  4. Ink Blotches:
  5. Inkless Area(s):
  6. Misprint(s):
  7. Moiré Pattern(s) (iii):
  8. Smear(s)/Smudge(s):
 
9. Staple/Binding Hole(s):
  10. Stray Ink Mark(s):
C. IMPERFECTIONS RELATED TO PRINT AGE AND HANDLING
1. Burn(s):
  2. Curling/Curving/Warping:
  3. Disintegrating Area(s) (iv):
  4. Eraser Marks/Damage:
  5. Fold(s)/Crease(s):
  6. Foxing (v):
  7. Hole(s):
  8. Impression(s):
  9. Inkless Area(s) (wear):
  10. Insect/Rodent Damage:
  11. Light/Sun Fading:
  12. Liquid/Moisture Damage:
  13. Oil Residue:
  14. Rip(s)/Tear(s):
  15. Scent/Smell/Odor:
  16. Split(s)/Crack(s):
  17. Stain(s)/Brown Edge(s):
  18. Stuck-On Debris:
  19. Wrinkle(s)/Crumple:
 
20. Writing/Drawing:
D. FOOTNOTES ABOUT IMPERFECTIONS
(i)  Bleeding Ink
  Bleeding can occur after printing and prior to the ink drying when the ink spreads beyond its original print area to adjacent fibers in the paper causing the edge(s) of the print area to appear blurry. One color can bleed to blank paper and/or multiple colors can bleed into eachother. Bleeding ink can be the result of too much ink being applied to the paper and/or the type of paper being printed on.
(ii)  Ghosting
  Ghosting is a printing error during which a portion of the advertisement is reprinted in an unexpected location of the print area. The reprinted portion is faded in comparison to the original portion which coined the term: ghosting.
(iii)  Moiré Pattern(s)
  Printers print images in a pattern of dots. A moire pattern occurs when multiple patterns of dots are printed inaccurately and appear to be displaced or misaligned from eachother.
(iv)  Disintegrating Area(s)
  Areas of the paper, usually the edges, that have become brittle due to environmental factors causing the lignin (polymer that strengthens the paper) to deteriorate resulting in oxidation and/or interacting with acidic compounds in the paper. Portions of the paper are easily removed and in extreme cases fall apart even when the paper is handled delicately.
(v)  Foxing
  Foxing is a form of paper deterioration that occurs when impurities (iron oxide, ferrous oxide, etc.) in the paper react to humidity creating brown spots (age-spots) in random places on the paper.
 Since Grading is Subjective Be Sure to Review the Description and Photos
Grading is a subjective practice, meaning that the grade we assign a print may not be the same grade that someone else would assign the same print. Also, a defect that may be inconsequential or overlooked by one may be unacceptable or obvious to someone else. Therefore, in addition to considering the Grade displayed above, we strongly recommend that you carefully review the descriptions of the damage and imperfections listed below as well as the photos displayed above to assess the condition of the print yourself. While we attempt to describe our prints accurately, it's possible that you may see something in a photo that we did not mention in our description of the condition.
 About Our Grading Scale
Our gradng scale includes the following 5 levels: Poor, Fair, Good, Fine and Mint as defined below.
1. Poor
A print in "Poor" condition has extensive damage and is illegible where portions of the print are missing, obscured or otherwise damaged. The damage and imperfections are obvious and may be attributable to the printmaker, mishandling or environmental factors resulting from inadequate preservation methods. The print may contain natural degradation including foxing, brittleness and/or browning. There may be spine stress marks appearing as waviness in prints that had been bound in a larger work.
2. Fair
A print in "Fair" condition is damaged but legible. A few small, insiginficant portions may be missing. There may be creases, moisture damage, nicks, stains, staple holes, tears, and other defects. The print may contain natural degradation including foxing, brittleness and/or browning. There may be spine stress marks appearing as waviness or warping along the previously bound edge of prints that had been bound in a larger work. Printmaking flaws may be present. Nevertheless, the damaged or missing areas do not affect the legibility of the print. The print is completely legible despite its defects.
3. Good
A print in "Good" condition has some damage which may include small creases, minimal moisture damage, corner bluntness, nicks and other wear and tear along its edges but is otherwise complete and legible. Except for some minor damage, the content within the body of the print is flawless. There may be spine stress marks appearing as waviness or warping along the previously bound edge of prints that were bound in larger works. Printmaking flaws may be present. The print may contain natural degradation including foxing, brittleness and/or browning. However, natural degradation may add to the print's value as it helps authenticate the print's age and genuineness. Prints containing latent binding damage and materials including glue, nicks, staple holes, tape, tears etc. may be considered "Good" despite these defects because on many prints the previously bound edge including the damage can be trimmed away.
4. Fine
A print in "Fine" condition is complete and legible with minimal signs of wear and tear. Slight corner bluntness may be present and warping may keep the print from lying completely flat. There is no moisture damage but there may be minor spine stress marks appearing as waviness or warping along the previously bound edge of prints that had been bound in larger works. Printmaking flaws may be present. There may be natural degradation including foxing, brittleness and/or browning. Natural degradation may add to the print's value as it helps authenticate the print's age and genuineness. There may be minor latent binding damage and materials including glue, tape, tears, staple holes, etc. that can be trimmed away.
5. Mint
A print in "Mint" condition is flawless or nearly flawless. There may be minimal corner bluntness and natural warping that keeps the print from lying completely flat. There are no stains or moisture damage but there may be printing press or other printmaking imperfections. The print should not contain any other damage associated with wear and tear or mishandling. Older prints with foxing, brittleness or browning edges may be considered "Mint" despite these imperfections because they occurred naturally over time. Such degradation may add to the print's value since it serves to autheniticate the print's age and consequently, its genuineness. Latent binding damage and materials including glue, tape, stitching tears, staple holes, etc. are rare but can be trimmed away.
IV. Order Processing
1. Packaging

We pack our prints in clear, resealable, 2-mil thick, acid-free plastic sleeves supported by 24-point, acid-free backing boards. We then seal the sleeves with protective seals. If the sleeve is opened the seal breaks and can not be reused. A broken seal lets us know that we must reprocess the print. If the print's condition has changed we update its description and images on our website and affix a new seal. With our protective packaging our customers can expect that the prints they receive will be as described and shown in our website store.

2. Storing
After incorporating prints into our inventory we store them in a location that minimizes the impact of environmental factors that could degrade or otherwise damage them.
3. Shipping
We ship our smaller prints flattened in rigid paperboard mailers and larger prints rolled in cardboard tubes. We stamp our packages “Do Not Bend” to put the courier on notice that the parcel should be handled carefully.
4. International Orders - Customs Fees
Orders shipped to international destinations outside of the United States are subject to customs duties and fees. These fees are out of our control as we are required by law to include customs disclosure forms on packages shipped out of the United States.
V. Customer Service
1.
To check the status of your order:
a) navigate to 'My Account'
b) locate the relevant order
c) click it to open it and consult the Order Status.
2.
If you have questions about checking the status of an order please Contact Us (click here)
1.
Print cancellations and returns are accepted. When Prints are returned, our shipping costs will be deducted from the amount refunded unless the reason for the return is due to our error. The amount of the refund depends on the status of the order and the condition of the Print as indicated in the table below.

Order Status
Condition of Image Disc
Reason for
Cancellation
or Return
Amount of Refund
'Confirmed'
The order has been placed. Processing will begin soon.
Not Applicable
Any reason is acceptable.
A full refund will be credited back to the original payment method.
'On its way' or
"Out for delivery"
The Printt has been shipped.
New, Unopened
Any reason is acceptable.
Upon delivery the customer may return the unopened Print to us at their expense. Upon our receipt of the return, a refund less our shipping costs will be credited back to the original payment method.
'Delivered'
The product has been delivered.
New, Unopened
Any reason is acceptable.

The customer may return the unopened Print to us at their expense. Upon our receipt of the return, a refund lessour shipping costs will be credited back to the original payment method.

Opened
The Print is damaged.
The customer must file an insurance claim with the courier and if available, a replacement Print will be shipped to the customer.
Opened
We shipped the incorrect Print.

Upon confirmation of our error we will either ship the correct Print or issue a full refund to the customer's original payment method, whichever the customer prefers.

2.
To cancel a Print Order please enter the order number, order status and reason for cancellation in our Contact Form (click here). We will respond within 24-48 business hours.
3.
To return a Print please enter the order number, condition of the Print (i.e. unopened, opened, damaged, etc.) and the reason for the return in our Contact Form (click here). We will respond within 24-48 business hours.
Copyright Information
This section identifies whether copyrights are held in the artwork featured on this page and if so, what person, company or other entity owns the copyrights.
VI. Related Audio/Video
 
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